In essence, “Mary Had a Little Lamb” is an example of this structure. It’s the same melody again and again, but with different lyrics. Another famous example might be “Blowin’ in the Wind” by Bob Dylan.
Andrea: Maria was an excellent student and she worked so hard during the course. She asked tons of great questions on our calls and was a pleasure to work with. Probably one of the best sessions for me so far!
Learn about underwater acoustics and how sounds travel in different directions and across far distances via a marine audio highway called the SOFAR Channel.
While the major scale is ubiquitous in contemporary western music, don’t let yourself feel too much pressure to master it right away. It’s a complex and nuanced scale like the rest of the white-key scales, and it will become more intuitive the more the time you spend composing with it.
But don’t get too comfortable with that one, here’s perhaps the most well-known melody of the bunch: the first two unique notes of Beethoven’s 5th Symphony. The most classic-est of classic major thirds.
Your engagement metrics will tell you which efforts are getting the most attention on a weekly basis, and how that’s changed over time from a macro perspective. What this means is, you can easily see where you’re getting the most interaction and focus in any particular space, and how images or videos two years ago for example stack up with those posted more recently.
Another bonus of recording this way is having separated audio files between you and your guest. If they cough while you’re talking, you can cleanly remove it from their track without affecting your voice.
As we can see, we can divide modes in Major and Minor modes and this will affect the comparison we must make with their parallel scale. For example: E Phrygian is a minor mode, therefore it should be compared to E Natural Minor and not E Major. By doing so, we would find out that the two scales differ from each other by one note: F in the Phrygian mode instead of F# which appears on the E Natural Minor scale.
Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.
The eleventh edition of our student work sharing series, this one’s a summer blockbuster jam. Get ready to add some new tracks to your favorite playlist!
Once you’ve written a percussion part on a kit with isolated instruments, you’ll be able to add different effects for each instrument. For example, thick reverb might not work when it’s applied to an entire organic drum kit, but can bring out a compelling new character when it’s only added to your snare for example. This is a crucial step you shouldn’t skip.
+ Learning to record and mix at home? Check out Soundfly’s newly launched Making Music in Logic Pro X mentored online course today! Or, share your musical goals with us, and we’ll find a course suited for you.
The structure of your songs has a big impact on the way your listeners will take them in. Writing lyrics and a catchy melody is one thing, but sculpting the journey that one is taken on as they move through a song is what separates the best songwriters on the planet from everyone else.